Stevie Wonder – Superstition (1972)

Stevie Wonder - Superstition (1972)

About Song

“Stevie Wonder – Superstition (1972)” is a groundbreaking funk and soul anthem that not only showcases Stevie Wonder’s musical genius but also became a pivotal moment in the evolution of popular music. Released in 1972, the song is celebrated for its infectious groove, innovative use of synthesizers, and Stevie Wonder’s powerhouse vocals.

Musical Style:

  • Funk and Soul Fusion: “Superstition” is a dynamic fusion of funk and soul, characterized by its driving rhythm, infectious beats, and bold horn arrangements. Stevie Wonder’s innovative approach to blending genres contributed to the song’s distinctive sound.

Instrumentation Stevie Wonder – Superstition (1972):

  • Clavinet Mastery: The song is notable for Stevie Wonder’s masterful use of the clavinet, creating the iconic riff that serves as the backbone of “Superstition.” The clavinet’s sharp, percussive sound adds a unique texture to the track.

Vocal Performance “Stevie Wonder – Superstition (1972)” :

  • Soulful and Expressive: Stevie Wonder’s vocal performance in the song is soulful and expressive, conveying both urgency and confidence. His ability to navigate through a wide vocal range enhances the emotional impact of the song.

So also Bob Dylan – Blowin’ in the Wind (1962)

Lyrics and Themes:

  • Cautionary Tale: The lyrics of “Superstition” convey a cautionary message about the dangers of believing in superstitions and the consequences of letting irrational fears guide one’s actions. The themes reflect Stevie Wonder’s social consciousness and his knack for addressing relevant issues.

Synthesizer Innovation:

  • Early Synth Use: “Superstition” is notable for its pioneering use of synthesizers, particularly the Hohner clavinet and the Moog synthesizer. Stevie Wonder’s experimentation with these instruments marked a significant shift in the landscape of popular music.

Stevie Wonder - Superstition (1972)

Commercial Success “Stevie Wonder – Superstition (1972)”:

  • Chart-Topping Hit: “Superstition” achieved widespread commercial success, reaching the number one spot on the Billboard Hot 100 chart. Its popularity contributed to Stevie Wonder’s status as a musical trailblazer.

Live Performances:

  • Energetic Stage Presence: The song became a staple in Stevie Wonder’s live performances, where he showcased not only his musical prowess but also his energetic stage presence. His live renditions of “Superstition” are often praised for their intensity and spontaneity.

Cultural Impact:

  • Enduring Influence: “Superstition” has left an enduring impact on popular music, influencing subsequent generations of artists. Its funky grooves and innovative use of synthesizers have been sampled and celebrated in various genres.

Recognition and Awards:

  • Grammy Success: “Superstition” earned Stevie Wonder critical acclaim, including a Grammy Award for Best R&B Vocal Performance, Male. The song’s success contributed to Stevie Wonder’s dominance in the R&B and soul categories during the early 1970s.

In summary

“Superstition” is not just a song; it’s a sonic masterpiece that exemplifies Stevie Wonder’s musical genius and his ability to push the boundaries of creativity. Its impact on the evolution of funk, soul, and the use of synthesizers in mainstream music cements its place as a timeless classic that continues to captivate audiences worldwide.

“Superstition” not only showcases Stevie Wonder’s musical genius but also exemplifies his ability to blend social commentary with infectious melodies. The song remains a testament to Wonder’s impact on the music industry and his role in shaping the sound of the 1970s.

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Lyrics “Stevie Wonder – Superstition (1972)

Very superstitious, writings on the wall,Very superstitious, ladders ’bout to fall,Thirteen-months-old baby broke the lookin’ glassSeven years of bad luck, the good things in your pastWhen you believe in things that you don’t understand,
Then you suffer,
Superstition ain’t the way

Very superstitious, wash your face and hands,
Rid me of the problem, do all that you can,
Keep me in a daydream, keep me goin’ strong,
You don’t wanna save me, sad is my song

When you believe in things that you don’t understand,
Then you suffer,
Superstition ain’t the way, yeah, yeah

Very superstitious, nothin’ more to say,
Very superstitious, the devil’s on his way,
Thirteen-months-old baby broke the lookin’ glass,
Seven years of bad luck, good things in your past

When you believe in things that you don’t understand,
Then you suffer, superstition ain’t the way, no, no, no

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