Ray Charles – What’d I Say (1959)

Ray Charles - Whatd I Say (1959)

About Song “Ray Charles – Whatd I Say (1959)”

“Ray Charles – Whatd I Say (1959)”  is a seminal song that played a pivotal role in shaping the landscape of American music. Released in 1959, the song is a vibrant and energetic blend of R&B, gospel, and soul, showcasing Ray Charles’s unparalleled talent and contributing to the evolution of popular music.

Musical Style:

  • Rhythmic Fusion: “What’d I Say” is known for its infectious rhythm, combining elements of R&B, gospel, and soul. The song features a distinctive call-and-response structure and a driving beat that became a hallmark of Ray Charles’s unique musical style.

Improvisation and Spontaneity “Ray Charles – Whatd I Say (1959)”:

  • Live Recording Magic: Notably, “What’d I Say” was recorded live during a concert and emerged from an impromptu jam session. The spontaneous nature of the recording captured the raw energy and improvisational prowess of Ray Charles and his band.

Innovative Techniques:

  • Wah-Wah Pedal: The song is notable for its pioneering use of the wah-wah pedal on the electric piano, a relatively new instrument at the time. This innovation added a distinctive and expressive element to the sound, contributing to the song’s iconic status.

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Vocal Performance:

  • Soulful and Passionate: Ray Charles’s vocal delivery in “What’d I Say” is soulful, passionate, and filled with emotion. His ability to convey a range of feelings—from joy to sensuality—adds depth to the song’s narrative.

Lyrics and Themes “Ray Charles – Whatd I Say (1959)”:

  • Call-and-Response Dynamics: The call-and-response structure of the lyrics creates a lively and interactive dynamic. This element, rooted in gospel traditions, adds a communal and celebratory aspect to the song.

Cultural Impact:

  • Breaking Musical Barriers: “What’d I Say” marked a pivotal moment in the breaking down of musical barriers, combining genres in a way that appealed to a diverse audience. It played a crucial role in the crossover of R&B and soul into mainstream popular music.

Chart Success:

  • Commercial Achievement: The song’s success wasn’t limited to critical acclaim; it achieved significant commercial success, reaching high positions on various charts. Its popularity catapulted Ray Charles to even greater prominence in the music industry.

Live Performances:

  • Energetic Stage Presence: Ray Charles’s live performances of “What’d I Say” were electrifying, showcasing his dynamic stage presence. The call-and-response interactions with the audience became a signature element of his concerts.

Ray Charles - Whatd I Say (1959)

Legacy “Ray Charles – Whatd I Say (1959)”:

  • Influence on Music: “What’d I Say” is often cited as a landmark moment in the evolution of popular music. Its influence can be heard in the work of subsequent artists across genres, contributing to the development of rock and soul music.

In summary

“What’d I Say” stands as a testament to Ray Charles’s musical genius and his ability to push boundaries. Its fusion of genres, innovative use of technology, and dynamic performance style have solidified its place as a timeless classic, continuing to captivate audiences and inspire musicians across generations.

The song’s recording session was known for its spontaneity, and the infectious groove captured on tape contributed to its success. The iconic rhythm and blues piano riff and the fervent call-and-response sections created a sound that resonated across racial and genre boundaries, earning “What’d I Say” widespread acclaim and commercial success.

Beyond its immediate impact, “What’d I Say” has left an indelible mark on the music landscape. The song’s fusion of rhythm and blues, gospel, and soul foreshadowed the development of soul music, and its influence can be heard in the work of countless artists across various genres. Ray Charles’s innovative approach to music, as exemplified in “What’d I Say,” solidified his status as a pioneering figure in the history of American popular music.

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Lyrics

“What’d I Say (Parts 1 & 2)”

Hey mama, don’t you treat me wrongCome and love your daddy all night longAll right now, hey hey, all rightSee the girl with the diamond ringShe knows how to shake that thingAll right now now now, hey hey, hey heyTell your mama, tell your paI’m gonna send you back to ArkansasOh yes, ma’m, you don’t do right, don’t do rightAw, play it boyWhen you see me in miseryCome on baby, see about meNow yeah, all right, all right, aw play it, boyWhen you see me in miseryCome on baby, see about meNow yeah, hey hey, all rightSee the girl with the red dress onShe can do the Birdland all night longYeah yeah, what’d I say, all right
Well, tell me what’d I say, yeah
Tell me what’d I say right now
Tell me what’d I say
Tell me what’d I say right now
Tell me what’d I say
Tell me what’d I say yeah

And I wanna know
Baby I wanna know right now
And-a I wanna know
And I wanna know right now yeah
And-a I wanna know
Said I wanna know yeah

[Spoken:] Hey, don’t quit now! (c’mon honey)
Naw, I got, I uh-uh-uh, I’m changing (stop! stop! we’ll do it again)
Wait a minute, wait a minute, oh hold it! Hold it! Hold it!
Hey (hey) ho (ho) hey (hey) ho (ho) hey (hey) ho (ho) hey
Oh one more time (just one more time)
Say it one more time right now (just one more time)
Say it one more time now (just one more time)
Say it one more time yeah (just one more time)
Say it one more time (just one more time)
Say it one more time yeah (just one more time)

Hey (hey) ho (ho) hey (hey) ho (ho) hey (hey) ho (ho) hey
Ah! Make me feel so good (make me feel so good)
Make me feel so good now yeah (make me feel so good)
Woah! Baby (make me feel so good)
Make me feel so good yeah (make me feel so good)
Make me feel so good (make me feel so good)
Make me feel so good yeah (make me feel so good)
Huh (huh) ho (ho) huh (huh) ho (ho) huh (huh) ho (ho) huh
Awh it’s all right (baby it’s all right)
Said that it’s all right right now (baby it’s all right)
Said that it’s all right (baby it’s all right)
Said that it’s all right yeah (baby it’s all right)
Said that it’s all right (baby it’s all right)
Said that it’s all right (baby it’s all right)

Woah! Shake that thing now (baby shake that thing)
Baby shake that thing now now (baby shake that thing)
Baby shake that thing (baby shake that thing)
Baby shake that thing right now (baby shake that thing)
Baby shake that thing (baby shake that thing)
Baby shake that thing (baby shake that thing)
Woah! I feel all right now yeah (make me feel all right)
Said I feel all right now (make me feel all right)
Woooah! (make me feel all right)
Tell you I feel all right (make me feel all right)
Said I feel all right (make me feel all right)
Baby I feel all right (make me feel all right)

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